Now let me try and explain why I am now dealing with all of this extra stuff: I named Félicien’s parents. Not his adoptive parents, who raise him after he is in Faery (they already have names), but his birth-parents. I had written a Scene a few days ago (it didn’t turn out very well so it isn’t up) but I only mentioned ‘The Duchesse’ because Félicien’s mother did not have a name. Without a name she was a figment, a reference, something to mention but not expand upon.
The moment I name a character they become infinitely more important and real. They gain an appearance and a temperament and a history–all from a name. And changing the name can change appearance and temperament and history, so sometimes I go through several names and iterations before everything clicks into place (I had that happen a few weeks ago actually).
The Duchesse could just be an old woman who lost her son, who stepped aside from governing and let the steward run things because of her grief. Duchesse Cunégonde of Piques, though, forced the fée Margrave to return to Faery and demanded her son’s return, and banished him when that did not happen. She stepped aside from governing out of grief yet did not shut herself away, but planned revenge. She is the reason the fée are no longer trusted or liked in Piques, the reason for the fine cutlery being cold iron, the reason that ironically her own son and then grandson have problems when they return to Piques and are seen as fay.
Now to find out how Félicien’s father acted…
(For a story where the fairies were supposed to be a minor reference they have almost overtaken the necromancy in which fantastical aspect is the most prominent in the realm).
So, overall, I am happy Larkspur is short and sweet and dark. It lets me work on Delphinium and make plans for a whole new set of books. I do believe Félicien’s life will eventually be chronicled as well, and feature both sets of his parents.